Cocktail
Producer: Saif Ali Khan
Director: Homi Adajania
Cast: Saif Ali Khan, Deepika Padukone, Diana
Penty.
Genre: Romantic Comedy
by Bhawana Somaaya
Story:
Veronica
(Deepika Padukone) is a free spirited girl who has made London her home and
life is a party for her where the music never stops.
One day,
she spots Meera (Diana Penty) bag and baggage weeping in a drug store bathroom
and brings her home. They are poles apart but soon become best friends.
Gautam
Kapoor is a compulsive flirt and lives without commitments. He finds a match in
Veronica and moves into her apartment.
Trouble
begins when Gautam’s mother Kavita Kapoor (Dimple Kapadia) lands in London
unannounced and wants to confirm an alliance for her son immediately.
What
works about the film:
Many
things: From the opening frame there is a refreshing take to unfold a regular
story in a different way. The titles drop on the screen like attractive
headlines of a magazine cover and in the ensuing scenes; characters engage you
in interesting, insightful conversations.
Writers Imtiaaz and Sajid Ali present
complexities of love very simply but love is never that simple.
There are
some really funny lines in the film like Deepika telling a restaurant full of
people “His bun is in my oven.”
Seductively
shot by Anil Mehta and punctuated with extraordinary music by Pritam, all the
songs are heart rending and express the anguish of various characters.
What doesn’t work:
The
characters are professionals but never shown working. There is just one scene
where Meera declares she has found a job as a visual designer and Deepika
Padukone clicking pictures to establish that she is a photographer. Saif Khan
is shown attending office but it is unclear what he does for a living.
There are
no defining moments for the blossoming or the fading of relationships.
Post
interval the pace and punch drop drastically.
Performances:
Debutante
Diana Penty is beautiful but has a fixed expression on her face.
Saif Ali
Khan has played myriad romantic roles in the past and this is certainly not his
best. He is witty, charming, exasperated and earnest but that certain spark he
brought to his earlier performances is missing. He does not have to reduce
himself to dress as a drag and dance to ‘Sheila ki jawani…’
Deepika Padukone
has the best role and sparkles as the candid, compassionate, insecure,
uninhibited Veronica. She is most effective when she is reacting!
Boman Irani
and Dimple Kapadia as Saif’s uncle and mother bring a distinct dialect to their
performances.
Director’s cut:
Homi
Adajania whose Being Cyrus was a pioneering effort attempts to weave another
complex tale of passion and intrigue but the intricate layers get entangled. He
presents London as a character and takes you through all the colours, textures
and climates of the cold city.
It travels
through dingy corridors, shining night clubs, crowded streets, and shabby
apartments to unobtrusively make shifts in relationships and emotions.
There is a
word Meera says to Gautam in the concluding scene, ‘Focus’. I guess Adajania
was lacking in focus!!
USP:
This is not
a regular love triangle. Cocktail is about female bonding and more important
about female gaze. Departing from Hindi movies, it’s about women who exercise
choices and sustain relationships.
Verdict:
Cocktail
caters to the urban 20 to 30s age bracket and will do well only in the
metropolis and the multiplexes.
www.bhawanasomaaya.com
The review appears as it is in Blockbuster, a newly launched trade magazine.
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