Rockstar rocks!!

Iss hafte ek hi release hain- Rockstar- aur wo bhi ek khas tarikh ke din- 11.11. 11.

Jiss tarha se khaas avsar ke liye - hum khaas taiyariyaan karte hain - ussi tarha se vishesh film ke liye vishesh tarike se charcha hoti hain.

Iss hafte ki film vishesh bhi hain aur asadharan bhi.

Rockstar ke asadharan honeke ke bohat saare wajah hain…

Pehla- film ka vishay- isse ek prem kahani kaha ja sakta hain - sangit ki kahani kaha ja sakta hain – aur- showbiz ki kahani bhi kaha ja sakta hain.

Magar primarily ye ek superstar musician ki hain- uska sangharsh, uski betaabi aur uska junoon - jo AR Rehman ke music aur Mohit Chauhan aur baaki singers ki awaaz mein aap ko ghayal kardeti hain.

Doosra –film ka screenplay- jo film ki shaan hain!

Director Imtiaaz Ali ne apni peechli film Love Aaj Kal mein bohat hi complex screenplay likha tha.

Iss baar - Imtiaaz Ali aur bhi complicated structure laaye hain jo scale mein aur intensity mein ambitious aur bhi courageous hain.

Teesra- characterization- Iske pehle humne bohat saari biopic filmein dekhi hain-

magar Delhi mein rehne wala -Stephen college mein padhne wala - guitar bajane wala – Janardan - jab aam aadmi se superstar banta hain -tab uski personal torment - uss yug ke sangit aur saare kalakaron ki uttejna ban jati hain!

Janardan yaane Jordon –kuch violent, kuch impulsive, eccentric aur rasilla character hain.

Chautha – film ka narrative anokha aur unconventional hain.

Imtiaaz Ali apne audience ko underestimate nahi karte hue predictable scenes mein samay vyast nahi karte.

Balke wo koi har sterotype ko todte hain- ye rockstar koi nasha nahi karta.

Kahani mein bohat saare flashbacks aur flash forward hain aur unka technique nirala aur refreshing hain.

Dikhta hain ke director cinema ki paribhasha badal ne ka prayatna kar rahe hain.  

Paanchva -film ka sandesh - aam taurpe filmon mein sandesh bohat hi saral aur direct hota hain.

Filmein ya to positive ya negative hoti hain aur protagonists inspirational ya destructive.

Rockstar ka message complicated hain ke jabtak ek artist gehri chhott nahi khata – wo bada kalakar nahi banta!

Chattha –detailing and excelling in every department jaise costume, lyrics, choreography, cinematography aur sabse zyada- dialect aur dialogues.

Jo kuch bhi har kirdar sochta hain, bolta hain, mehsoos karta hain saccha lagta hain. Kuch dialogues aapke dil mein ghar kar lete hain jaise ‘Kandh machete hain…’ ya ‘Control nahi hota…’ ya phir ‘Hug karte hain…’

Saatva- saare ke saare lajawab performances- Debutante Nargis Fakhri phoolo se zyada khupsurat aur sheeshy se zyada nazuk hain.

Shehnaivadak ki bhumika mein Shammi Kapoor apne Aakhri performance mein effortless aur restrained hain. Unke screen par aate hi bahar aa jati hain.

Aur aakhir mein Ranbir Kapoor.

Unka uthna – baithna -ruthna –shor machana aur khas taurpe- guitar bajana aur professional singer ki tarha gaana-saaf nazar aata hain ki unhone ye kirdar ko har pal jiya hain.

Janardan ki bewqoofiyaan aur Jordon ka junoon- aap ko har pal Ranbir ke expressionsaur khamoshiyon mein nazar aate hain.

Har film mein kuch khamiyaan hoti hain. Rockstar mein khamiyaon dhoondni padti hain. Bohat sochne ke baad maine kuch nuks nikale hain:

Ranbir Kapoor jab Janardan tha to unke bohat saare dost hote the- wo saare dost kahan gaye? Unka zikr kahi na kahi to aana chahiyye tha…

Ranbir itna bada rockstar hain magar hum ek baar bhi usse apne ghar mein nahi dekhte…

Nargis Fakhri ki Heer puri tarha se convincing nahi hain. Wo hero ko instigate bhi karti hain aur peeche bhi hatti hain…

Film ka pace dheema hain aur interval ke baad  thoda aur bhi dheema ho jaata hain…

Producer Dhillin Mehta aur director Imtiaaz Ali ki Rockstar ko hamara purri tarha se manoranjan karneke liye Rockstar ko milte hain 4****

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