Monday, 2 November 2015

Critics don’t make cinema - DAY 690

For all the glowing reviews Titli received from our lead critics, the first day collection of the film was just 50 lacs. Granted that the film is shot on a shoe string budget on real locations with newcomers and revenue of a crore for a production like this is more than satisfactory but the poor results raise many questions. The foremost being can reviews/ critics alter the fate of a film and the answer is no.

It is coincidence that renowned criti Peter Bradshaw at a workshop held for Jio MAMI 2015 elaborated on the very same points. Bradshaw recommended that it is important for reviewers to retain their innocence in the theatres and not get carried away by the analysis of the film. He emphasized that it is not about getting a review right all the time but about engaging and involving your reader/ viewer. In many ways a review of a film is like a film and if the reviewer is not engaged in what he is writing/ speaking the reader/ viewer is not going to be involved too.

Bradshaw said that most reviewers feel isolated when their opinion or ratings are not in sync with the other critics, they don’t have to feel apologetic. He said the sad part is that not only do most of the reviews lack original opinions but also are dull and matter of fact, which should not be because cinema is about passion.

Bradshaw was dismissive about his popularity and that so many people around the world watch films only after reading him and attributed his success to the reach of Hollywood, the internet culture and the fact that his medium was English. He said he was the beneficiary of a new revolution.

In a final question to how important is a critic to cinema his answer was revelatory, he said ‘Not at all. In the final analysis it is filmmakers who will be remembered not critics'.

@bhawanasomaaya


Friday, 30 October 2015

Tiltli is dark. Charles aur Main is cold blooded - DAY 689

Kannu Behl likhi directed Titli kahani hai Dilli ke Jawahar Nagar mein rehte ek pariwar ki.
Daddyji, yaane Lalit Behl, tandurast hai magar retired hai aur pura din ya toh radio sunte hai ya phir TV dekhte hai.

Bada beta Vikram, yaane Ranvir Shorey, ghar grahasthi, shaadi aur dal roti ki zimmedaari se pareshan hai…

Manjhla beta Pradeep, yaane Amit Sai, kabhi bade bhai to shaant karane mein aur kabhi chotte bhai ko samjhane mein jhunjhta hai…

Aur chotta beta Titli sabse bezaar hai aur shayad isi liye bolta kum aur sochta zyaada hai…

Film ka plus: film ki sachai aur performances. Ranveer Shorey ke alava, naye kalakar, Shashank Arora aur Shivani Raghuvanshi talented hai…

Film ka minus: film neem se zyaada kadvi aur raat se zyaadi kaali hai.
Agar aap ko manoranjan ki talash hai toh Titli aap ke liye nahi hai.

Haan magar agar aap Dilli ki kaddi dhoop mein scooter par sawaar hokar, wahan ki sachai jaan na 
chahte ho, toh Titli aap ke liye hai…

Titli ko Big Entertainment Ratings milte hai 2.5 stars.

                                                                          
                                                                           **


Praval Raman likhi directed Main aur Charles , 1980 ke dashak mein sabse zyaada surkhiyon mein rahe criminal Charles Sobhraj ki jeevan gaatha hai.

Thailand, Dilli aur Maharashtra mein shoot ki gayi ye film, hume Charles Sobhraj aur unkie jeevan mein aayein logon ka parichay karwati hai.

Film ka plus: film ki anokhi shot taking, cinematography, editing aur detailed research.

Film ka minus agar isse minus kaha jaayein toh 2 ghante 10 minute ke baad, hum Charles se jud nahi paate aur wo shayad isliye bhi, ki Charles kissi se nahi judta!

Main aur Charles dekhni chahiye Richa Chadha ke sirf ek scene ke liye…Jab wo police station mein tudti hai!

Police inspector ki bhumika mein Adil Hussain ke mature portrayal aur aatma vishwas ke liye…

Aur sabse badhkar, ek anokhe roop mein, Randeep Hooda ke liye…
Randeep, Charles ki mano-sthithi aur chaturai ko apnate hai, uske swaarth aur kathorta ko, bina jasbaad, sthirrta se pesh karte hai.

Charles aur Main ko Big Entertainment Ratings milte hai 3.5 stars.

@bhawanasomaaya
                                   

Thursday, 29 October 2015

Khaas Aaadmi - DAY 688

Rickshaw drivers want dal chawal

On Sunday I had given my driver an off and hopped into an auto-rickshaw from Sion to Juhu. Driver Rashidbhai suggested a different route because some MLA was holding a rally on the Western highway. Rashidbhai said “Why are our politicians so foolish and don’t they think about people who need to drive to hospital or airport? Why can’t they hold meetings in open grounds and leave the roads for us civilians?”

At the traffic signal, we stopped in front of a smiling politician on the billboard, Rashidbhai looked at him disapprovingly and said, “I’m 62 and driving from 8am to 8pm but with great difficulty I carry home rupees 1,000 every night and out of that I have to pay house rent, vehicle rent. My family does not get square meal a day while these guys” he says pointing to the hoarding make crores, is this fair? I sometimes wonder how they sleep with a guilty conscience or maybe have they bribed Almighty as well, kya pata…”

Rashidbhai was upset, he gulped down water from a soiled plastic bottle then wiped his mouth with a dry napkin tied on the handle, and continued “I am Congress loyalist, my father took me to vote for the first time and demonstrated me to stamp on the open palm. Since then I have been stamping on the palm for years and taught my children to do the same but not anymore! We trusted them for 60 years and they give us corruption, price rise and potholes. I want to invite our leaders and drive them on Mumbai roads. They will not survive five minutes and we are driving these rocky streets all our life. The fault is ours we have allowed them to treat us like donkeys!”

Rashidbhai was angry and it reflected in his driving, he said, “Forget tomatoes, forget onions and forget Biryani on Idd day but promise me dal chawal atleast. These days I attend all political rallies to make sure what they promise and they promise a lot. I was present for Narendra Modi’s rally in Mumbai and I was impressed. I drove by road to Gujarat and was impressed again. I have decided memsaab, I will vote for Modi. He is strong and this country will be safe in his hands”

What about AAP, don’t you trust the young CM in Delhi? “They are too kachha as yet, they have a lot of josh but are foolish.” What about Rahul Gandhi? “No memsaab he is a baby, earlier he never talked and now he is talking too much.” What about the Prime Minister are you satisfied with him, has he delivered his promises, what do you think? Rashidbhai was irritated, said, “I was sure he would win and he has won. He has not delivered his promises, well not all of them but we need to give him time, he will”
I had reached my destination but Rashid bhai had not finished “Log kuch bhi bole but Narendra Modi mein dum hai. Aaap dekh lena ye ek aadmi aakha India badlega ek din.”

Bhawana Somaaya/ @bhawanasomaaya


Wednesday, 28 October 2015

Beauty & the Beast - DAY 687

Last week I was invited to the premier of Walt Disney’s maiden venture Beauty & the Beast in India and I have to admit it was a spectacular show so what if it began 45 minutes late. Once you were seated and the show began you were transported in a magical world.

I was fortunate to be seated one row ahead of Vidya Balan and Siddharth Roy Kapoor of UTV and could sense Vidya Balan’s excitement. All through the show an anxious Vidya sat clutching husband Siddharth’s arm and everytime it was time for applause Vidya bloomed like a proud wife.

Based on the Academy award winning animated feature film Beauty & the Beast released in 1991, this classic musical love story is presented to Indian audiences on the same scale as the mega – productions seen on New York’s Broadway and on London’s west end. 

The India musical production has been developed and directed by Vikranth Pawar and featuring over 100 of the best musical theatre performers from all over India. It is said over 8000 entries were scanned for auditions which lasted over four months.

While many would have liked it to be a Hindi musical this one is in English at 130 minutes in duration, with select shows across Mumbai and Delhi from October to December 2015. The show is a result of super team work and spectacular talent be it the vision of Vikranth Pawar ( show director and creative head, live entertainment at Disney India), Lesle Lewis (music direction), Terence Lewis (choreography), Varsha Jain (set design), Gavin Miguel ( Costume Design), Pallavi Devika (hair & make – up) and Suzanne D’mello (vocal training).

Don’t miss the show if you can afford the tickets. If not beg, borrow, plead but watch the show. You will be proud of India and Vidya Balan has the right to be proud of her husband to bring this to India.


@bhawanasomaaya

Tuesday, 27 October 2015

Sharad Purnima - DAY 686

Yesterday was Sharad Purnima and the purnima lasts for two days.

Sharad Purnima or Sharad Punam as is widely understood is a full moon night because it is believed that the moon is in close proximity to the earth and therefore the brightest on this night, which is why this festival is celebrated on the terrace of buildings and homes.

The beauty of the festival is to bathe in the pure moonlight often referred to as amri varsha by the scriptures. The sages believed that the nectar imparted in the moon light on Punam night has the capacity to heal the most dreadful diseases.

The festival is also called Kojagiri festival and associated with Goddess Lakshmi. On this idols of Lord Lakshmi Narayan are dressed in milk white costume and worshipped inside temples.

At home an offering of milk and sweets made of milk are offered to the deities.

There are many stories related to this festival, one of them is that it was on this night that Lord Krishna joined the 1,108 gopikas in the rasleela and made all of them believe that he was exclusively with them.

Super stories make for super festivals.


@bhawanasomaaya

Monday, 26 October 2015

Getting ready for Prithvi Festival - DAY 685

Just in the way we are hardly done with Ganesh festival and the drums begin for Durga, similarly even before we can get our accredation card for MAMI film festival, preperations are on for the upcoming Prithvi Festival. October November is a super time in the cultural calendar of art world and in Prithvi Theatre this year one can look forward to many extra-ordinary events. 

There are going to be seven plays, six premier productions and all content as always will be original and more written, composed and choreographed locally.​ Besides the plays there will be a number of music concerts aptly titled Udayswar@Prithvi and which include classical Morning Ragas and one of these features Devaki Pandit.

For those interested in other form of music, there is a concert of Acoustic Jam featuring Neeraj Arya’s Kabir CafĂ©, a modern rendition. Then there  is SOI@Prithvi Premier Performance of Vanraj Bhatia’s composition Sinfonia Concertante by the Symphony Orchestra of India and a dance theatre you cannot miss by Sanjukta Wagh.

Prithvi Festival is not complete without Fringe Performances (this time five of them)​and StageTalk@Prithvi – that features conversations with eminent Theatre Professionals on their work and journey in theatre with artistes like Rajit Kapur, Rajat Kapoor, Ahlam Khan Karachiwala, Mohit Takalkar, Lillete Dubey and the erudite Ratna Pathak Shah.

The highlight of the festival will be the Rambo Circus on Diwali - Fun & Amazement of the Circus at Prithvi Theatre and Platform@Prithvi by Furtado’s: Platform Music performance curated by Furtado’s in the foyer before the shows.

I have booked my show at Prithvi have you?

@bhawanasomaaya



Friday, 23 October 2015

Shaandar is special - DAY 684

Vikas Bahl likhi directed Shaandar, Bipin Sharma, yaane Pankaj Kapoor ke pariwar aur unke samdhi, Sanjay Kapoor ke beech tayy ki gayi shaadi ki kahani hai.
Film ke sabhi kirdaar, shaadi ke functions ke dauran introduce hote hai aur iss khushi ke mauhal mein judta hai ek aur rishta, Aliya, Bipin Sharma ki chooti beti aur wedding planner Jaginder Joginder yaane  Shahid Kapoor ke beech.

Film ka plus: director ek jaani pehchani kahani ko tedhi medhi raah chalkar, interesting bana dete hai.
Unke kirdaar aisa kuch nahi karte ya kehte hai, jiski hume unse umeed ho...
Director emotional scenes ko comic aur flashback scenes mein animation ka shara lekar stereotypes ko todte hai.
Jiss tarha se unki peechli film Queen bahar se toh thukrayi dulhan ki kahani thi. Magar asal mein, kuch aur nikli.  Ussi tarha se, Shaandar bhi, bahar se ‘business deal’ par asal mein, alag ehsaas hain!
Door se, film mein dhol bajte hain, goliyaan barasti hai, lambi gaadiyaan bhaagti hai aur chartered planes aasmaan mein ghumte hain.
Nazdeek se mehsoos karo, toh badlon mein ghode akriti badalte hain, titliyaan bageeche mein jhumti hain aur mendak paani mein chalang maarte hain...
Kuch sitaron se chupate hue, kuch baraon se churate hue, director Vikas Bahl, ek baar phir, hasi mazak mein gehri baat keh jaate hai…!
Shaandar dekhni chahiye Pankaj Kapoor/ Shahid Kapoor /Aliya Bhatt ki super chemistry aur unke saath kadam milati hui, ek nayi aadakara, Sana Kapoor ke liye!
Shaandar ko umda khayal aur bahtaren performances ke liye Big Entertainment Ratings milte hain 3.5 stars.

@bhawawanasomaaya